Adobe photoshop cc classroom in a book (2019 release) pdf download free download.Adobe Photoshop CC Classroom In A Book ( 2019 Release)

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Pages·· MB·18, Downloads·New! Photoshop choose Adobe Photoshop CC Classroom in a Book ( release) from Adobe. (PDF DOWNLOAD) Adobe Photoshop and Lightroom Classic CC Classroom in a Book ( release) ; Genres: Photographic Equipment & Techniques, Digital Photography. Adobe Photoshop Lightroom Classic CC Classroom in a Book ( Release) Only 14 left in stock – order soon. Other format: Kindle.
 
 

Adobe photoshop cc classroom in a book (2019 release) pdf download free download

 

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Please contact us if you have questions or concerns about the Privacy Notice or any objection to any revisions. All rights reserved. Join Sign In. View Larger Image. Part of the Classroom in a Book series. About this Web Edition A Web Edition is an online learning product that you view in your web browser while connected to the Internet. Not for Sale.

About Description Sample Content Updates. Features Comprehensive, project-based lessons teach key concepts for working efficiently with Adobe Photoshop tools, filters, and effects to touch up, modify, and transform images Updated and new lessons throughout address new features in Photoshop CC Official training series from Adobe Systems Inc. Submit Errata. Overview Pearson Education, Inc.

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It can also automatically separate multiple photos scanned in one image. Click Curves in the Adjustments panel to add a Curves adjustment layer. Select the White Point tool on the left side of the Properties panel.

The White Point tool defines what color value should be made a neutral white. Once defined, all other colors and tones shift accordingly. When done correctly, this is a quick way to remove a color cast and correct image brightness. To set an accurate white point, click an area of the image that should be the brightest neutral area of the image that contains detail.

Clicking it removes the color cast and lightens it, dramatically improving image contrast and color. Click the Levels icon in the Adjustments panel to add a Levels adjustment layer. Typically, Curves is used for edits that are more specialized or complex. The Levels histogram in the Properties panel displays the range of dark and light values in the image. Right now, you just need to know that the left triangle represents the black point the point Photoshop defines as the darkest in the image , the right triangle represents the white point the lightest in the image , and the middle triangle represents the midtones.

Drag the left triangle black point under the histogram to the right, where significant shadow tones start to appear. Our value was Drag the middle triangle a little to the right to adjust the midtones. Our value was. But only flatten if you no longer need the flexibility of adjusting the edits you previously made using separate layers.

The adjustment layers merge with the Background layer. He teaches workshops internationally as well as online on the care and identification of photographs. Find out more at gawainweaver. However, when dealing with works by famous artists, museums, galleries, and collectors need to preserve original objects to the greatest degree possible despite deterioration or accidental damage.

Professional art conservators are called upon to clean dust and soiling from print surfaces, remove discoloration and staining, repair tears, stabilize prints to prevent future damage, and even paint in missing areas of a work. Carleton E. This print was removed from its mount to remove the stains and then remounted. In Photoshop, you can use a Curves adjustment layer to remove the color cast from an image.

Likewise, you can use the Spot Healing Brush in Photoshop to spot out specks of dust or dirt on a scanned image. In Photoshop, you can remove a crease or repair a tear in a scanned image with a few clicks of the Clone Stamp tool. After digitization, the original print can be safely stored away, while the digital version can be copied or printed for many family members.

Often, we first clean or unfold family photographs to safely reveal as much of the original image as possible, and then we repair the remaining discoloration, stains, and tears on the computer after digitization.

Note The Healing Brush tool works similarly to the Spot Healing Brush tool, except that it requires you to sample source pixels before retouching an area. The Spot Healing Brush tool quickly removes blemishes and other imperfections. It samples pixels around the retouched area and matches the texture, lighting, transparency, and shading of the sampled pixels to the pixels being healed.

Zoom in to see the crease clearly. In the Tools panel, select the Spot Healing Brush tool. In the image window, drag the Spot Healing Brush down from the top of the crease. You can probably repair the entire crease with four to six neat downward strokes.

Zoom in to see the white hair in the upper right area of the image. Then use the Spot Healing Brush to paint over the hair. Zoom out, if necessary, to see the full sky. Then click the Spot Healing Brush wherever there are unwanted spots you want to heal. Save your work so far. Type 4 into the Structure slider.

The Structure menu determines how closely the patch reflects the existing image patterns. You can choose from 1 to 7, with 1 allowing the loosest adherence to the source structure and 7 requiring the strictest. Drag the Patch tool around the boy and his shadow, as closely as possible.

You may want to zoom in to see him more clearly. Photoshop displays a preview of the content that will replace the boy. Release the mouse button when the patch is positioned where you want it. The selection changes to match the area around it. The boy is gone, and where he stood is a section of the bridge wall and of a building. The effect was pretty impressive, but not quite perfect.

Using this tool, you can not only remove unwanted objects from your images, but you can also fill in missing areas in photographs you scan from damaged originals. Tip You may need to set a larger brush size when editing higher resolution images. Make sure that the Aligned option is selected. Move the Clone Stamp tool to an area where the top of the bridge wall is smooth.

Drag the Clone Stamp tool across the top of the bridge wall in the patched area to even it out, and then release the mouse button. Each time you click the Clone Stamp tool, it begins again with a new source point, in the same relationship to the tool as the first stroke you made. That is, if you begin painting further right, it samples from stone that is further right than the original source point.

Deselect Aligned if you want to start from the same source point each time. Select a source point where the bottom of the bridge wall is even, and then drag the Clone Stamp tool across the bottom of the wall where you patched it. Select a smaller brush size, and deselect Aligned. Then select a source point over the rightmost windows in the lowest row on the building you patched.

Click across to create accurate windows there. Repeat step 6 to make any adjustments you want to apply to the lowest area of the building and the wall that runs in front of it. If you like, you can use a smaller brush size to touch up the stones in the patched portion of the wall.

Save your work. There are several ways to sharpen an image in Photoshop, but the Smart Sharpen filter gives you the most control. The colored dots you see are artifacts of the scanning process.

The Threshold value determines how dissimilar the pixels should be before they are eliminated. The Radius value determines the size of the area searched for dissimilar pixels.

The default values are great for tiny dots of color like the ones in this image. Now that the artifacts are gone, you can sharpen the image. In the Smart Sharpen dialog box, make sure that Preview is selected, so you can see the effect of settings you adjust in the image window. You can drag inside the preview window in the dialog box to see different parts of the image, or use the magnification buttons below the thumbnail to zoom in and out.

Make sure Lens Blur is chosen in the Remove menu. Lens Blur provides finer sharpening of detail and reduced sharpening halos. Gaussian Blur increases contrast along the edges in an image. Motion Blur reduces the effects of blur that resulted from the camera or the subject moving when the photo was taken. Drag the Radius slider to about 1. The Radius value determines the number of pixels surrounding the edge pixels that affect the sharpening. The higher the resolution, the higher the Radius setting should usually be.

Your image is ready to share or print! Extra credit Converting a color image to black and white You can get great results converting a color image to black and white with or without a tint in Photoshop. Click Open. Adjust the color sliders to change the saturation of color channels. You can also experiment with options from the preset menu, such as Darker or Infrared. Or, select the targeted adjustment tool in the upper left corner of the Properties panel, position it over a color you want to adjust, and drag horizontally.

We darkened the bike and made the background areas lighter. If you want to colorize the entire photo with a single hue, select Tint in the Properties panel. Printer resolution may be expressed in dots per inch dpi , because device dots do not always correspond to image pixels. As long as a selection is active, only the area within the selection can be edited.

Reposition a selection marquee. Move and duplicate the contents of a selection. Deselect a selection. Constrain the movement of a selected area. Adjust the position of a selected area using the arrow keys.

Add to and subtract from a selection. Rotate a selection. Use multiple selection tools to make a complex selection. You first use one of the selection tools to select the part of an image you want to change. Then you use another tool, filter, or other feature to make changes, such as moving the selected pixels to another location or applying a filter to the selected area.

You can make selections based on size, shape, and color. There are four primary types of selections: Geometric selections The Rectangular Marquee tool selects a rectangular area in an image.

The Elliptical Marquee tool , which is hidden under the Rectangular Marquee tool, selects elliptical areas. Freehand selections The Lasso tool The Polygonal Lasso tool traces a freehand selection around an area. The Magnetic Lasso tool works something like a combination of the other two lasso tools, and gives the best results when good contrast exists between the area you want to select and its surroundings.

In the Favorites panel, click the Lessons folder. Study the 03End. Move the thumbnail slider to the right if you want to see the image in more detail.

Note If Bridge asks you if you want to import preferences from a previous version of Bridge, click No. The project is a shadowbox that includes a piece of coral, a sand dollar, a mussel, a nautilus, and a plate of small shells. The challenge in this lesson is to arrange these elements, which were scanned together on the single page you see in the 03Start.

You simply paint an area of an image, and the tool automatically finds the edges. You can add or subtract areas of the selection until you have exactly the area you want. The image of the sand dollar in the 03Working. Select the Zoom tool in the Tools panel, and then zoom in so that you can see the sand dollar well. Select the Quick Selection tool in the Tools panel. The Quick Selection tool finds the full edge automatically, selecting the entire sand dollar. Leave the selection active so that you can use it in the next exercise.

The rest of the image is not affected by those changes. To move the selected area to another part of the composition, you use the Move tool. This image has only one layer, so the pixels you move will replace the pixels beneath them.

If the sand dollar is not still selected, repeat the previous exercise to select it. Zoom out so you can see both the shadowbox and the sand dollar. Select the Move tool. Notice that the sand dollar remains selected. Unless a selection tool is active, clicking elsewhere in the image will not deselect the active area. Julieanne Kost is an official Adobe Photoshop evangelist.

The context menu that appears lists all layers where content exists under the pointer, so that you can select a different layer. One of the most useful things you may find in this section is the introduction of keyboard shortcuts that can save you time and arm motions.

Repositioning a selection marquee while creating it Selecting ovals and circles can be tricky. As you perform this exercise, be very careful to follow the directions about keeping the mouse button or specific keys pressed.

If you accidentally release the mouse button at the wrong time, simply start the exercise again from step 1. Select the Elliptical Marquee tool , hidden under the Rectangular Marquee tool. Move the pointer over the plate of shells, and drag diagonally across the oval plate to create a selection, but do not release the mouse button. If you accidentally release the mouse button, draw the selection again.

In most cases— including this one—the new selection replaces the previous one. Still holding down the mouse button, press the spacebar, and continue to drag the selection. Position it so that it more closely aligns with the plate. Carefully release the spacebar but not the mouse button and continue to drag, trying to make the size and shape of the selection match the oval plate of shells as closely as possible.

If necessary, hold down the spacebar again and drag to move the selection marquee into position around the plate of shells. When the selection border is positioned appropriately, release the mouse button. Leave the Elliptical Marquee tool and the selection active for the next exercise. If the plate of shells is not still selected, repeat the previous exercise to select it. With the Elliptical Marquee tool selected in the Tools panel, press Ctrl Windows or Command Mac , and move the pointer within the selection.

The pointer icon now includes a pair of scissors indicating that the selection will be cut from its current location. Note You can release the Ctrl or Command key after you start dragging, and the Move tool remains active.

Photoshop reverts to the previously selected tool when you deselect, whether you click outside the selection or use the Deselect command.

Moving a selection with the arrow keys You can make minor adjustments to the position of selected pixels by using the arrow keys.

You can nudge the selection in increments of either one pixel or ten pixels. When a selection tool is active in the Tools panel, the arrow keys nudge the selection border, but not the contents. When the Move tool is active, the arrow keys move both the selection border and its contents. Before you begin, make sure that the plate of shells is still selected in the image window. Press the Up Arrow key on your keyboard a few times to move the oval upward. Notice that each time you press the arrow key, the plate of shells moves one pixel.

Experiment by pressing the other arrow keys to see how they affect the selection. Hold down the Shift key as you press an arrow key. When you hold down the Shift key, the selection moves ten pixels every time you press an arrow key.

Sometimes the border around a selected area can distract you as you make adjustments. As with many of the selection tools, after you make the initial selection, you can add or subtract areas of the selection. The Tolerance option sets the sensitivity of the Magic Wand tool.

This value limits or extends the range of pixel similarity. The default tolerance value of 32 selects the color you click plus 32 lighter and 32 darker tones of that color. You may need to adjust the tolerance level up or down depending on the color ranges and variations in the image. If a multicolored area that you want to select is set against a background of a different color, it can be much easier to select the background than the area itself.

Select the Rectangular Marquee tool , hidden under the Elliptical Marquee tool. Drag a selection around the piece of coral. Make sure that your selection is large enough so that a margin of white appears between the coral and the edges of the marquee. At this point, the coral and the white background area are selected. Select the Magic Wand tool , hidden under the Quick Selection tool.

In the options bar, confirm that the Tolerance value is This value determines the range of colors the wand selects. Click the Subtract From Selection button in the options bar. A minus sign appears next to the wand in the pointer icon. Anything you select now will be subtracted from the initial selection.

Click in the white background area within the selection marquee. The Magic Wand tool selects the entire background, subtracting it from the selection. Now all the white pixels are deselected, leaving the coral perfectly selected. Since only the edge pixels change, no detail is lost. Select the tool to display its options in the options bar. Feathering blurs edges by building a transition boundary between the selection and its surrounding pixels.

This blurring can cause some loss of detail at the edge of the selection. You can define feathering for the marquee and lasso tools as you use them, or you can add feathering to an existing selection. Feathering effects become apparent when you move, cut, or copy the selection.

To use the Select and Mask option, first make a selection, and then click Select and Mask in the options bar to open its dialog box. You can use the Select and Mask option to smooth the outline, feather it, or contract or expand it. To define a feathered edge for a selection tool, select any of the lasso or marquee tools. Enter a Feather value in the options bar. This value defines the width of the feathered edge and can range from 1 to pixels. Enter a value for the Feather Radius, and click OK.

You can use the Lasso tool to make selections that require both freehand and straight lines, using keyboard shortcuts to move back and forth between the Lasso tool and the Polygonal Lasso tool.

Tip Go slowly until you become comfortable with the Lasso tool. Starting at the lower left section of the mussel, drag around the rounded end of the mussel, tracing the shape as accurately as possible. Do not release the mouse button. When you reach a corner or straight part of the edge, press the Alt Windows or Option Mac key, and then release the mouse button so that the lasso pointer changes to the polygonal lasso shape.

Do not release the Alt or Option key. Begin clicking along the end of the mussel to place anchor points, following the contours of the mussel. Be sure to hold down the Alt or Option key throughout this process. This lets you create perfectly straight segments along the selection.

The selection border automatically stretches like a rubber band between anchor points. When you reach the tip of the mussel, hold down the mouse button as you release the Alt or Option key. The pointer again appears as the lasso icon. Carefully drag around the tip of the mussel, holding down the mouse button. When you finish tracing the tip and reach the straight segments along the lower side of the mussel, first press Alt or Option again, and then release the mouse button.

Click along the straight segments of the lower side of the mussel as needed. Continue to trace the straight and curved mussel edges until you arrive back at the starting point of your selection at the left end of the mussel. Click the starting point of the selection, and then release Alt or Option.

The mussel is now entirely selected. Leave the mussel selected for the next exercise. Note To make sure that the selection is the shape you want when you use the Lasso tool, end the selection by dragging across the starting point of the selection.

If you start and stop the selection at different points, Photoshop draws a straight line between the start and end points of the selection. Before you begin, make sure that the mussel is still selected. The mussel and selection marquee are enclosed in a bounding box.

Tip You can constrain rotation to common angles such as 90 degrees by holding down the Shift key as you drag the bounding box. You can verify the angle in the transformation values display next to the pointer, or in the Rotate box in the options bar. Press Enter or Return to commit the transformation. If necessary, select the Move tool , and drag to reposition the mussel, leaving a shadow to match the others. When you draw with the Magnetic Lasso tool, the selection border automatically snaps to the edge between areas of contrast.

You can also control the selection path by occasionally clicking the mouse to place anchor points in the selection border. Select the Magnetic Lasso tool , hidden under the Lasso tool. You can add as many as you need. To remove the most recent fastening point, press Delete, and then move the mouse back to the remaining fastening point and continue selecting. Click once along the left edge of the nautilus, and then move the Magnetic Lasso tool along the edge to trace its outline.

Or you can move the Magnetic Lasso tool over the starting point and click once. Select the Move tool to fit the entire image in the window. Make sure that you can see the entire screw head in your image window. Select the Elliptical Marquee tool in the Tools panel. Move the pointer to the approximate center of the screw. Click and begin dragging. Then, without releasing the mouse button, press Alt Windows or Option Mac as you continue dragging the selection to the outer edge of the screw.

Tip To select a perfect circle, press Shift as you drag. Hold down Shift while dragging the Rectangular Marquee tool to select a perfect square. The selection is centered over its starting point.

When you have the entire screw head selected, release the mouse button first, and then release Alt or Option and the Shift key if you used it.

If necessary, reposition the selection border using one of the methods you learned earlier. If you accidentally released the Alt or Option key before you released the mouse button, select the screw again. Before you begin, make sure that the screw is still selected.

Select the Move tool in the Tools panel. Position the pointer within the screw selection. The pointer becomes an arrow with a pair of scissors , indicating that dragging the selection will cut it from its current location and move it to the new location. Drag the screw onto the lower right corner of the shadowbox.

A bounding box appears around the selection. As you resize the object, the selection marquee resizes, too. Both resize proportionally by default. Press Enter or Return to commit the change and remove the transformation bounding box. Use the Move tool to reposition the screw after resizing it, so that it is centered in the corner of the shadowbox frame. Moving and duplicating a selection simultaneously You can move and duplicate a selection at the same time.

If the screw is no longer selected, reselect it now, using the techniques you learned earlier. With the Move tool selected, press Alt Windows or Option Mac as you position the pointer inside the screw selection. The pointer changes, displaying the usual black arrow and an additional white arrow, which indicates that a duplicate will be made when you move the selection. Continue holding down the Alt or Option key as you drag a duplicate of the screw straight up to the top right corner of the frame.

Repeat step 3 to drag a fourth screw to the lower left corner of the frame. Copying selections You can use the Move tool to copy selections as you drag them within or between images, or you can copy and move selections using commands on the Edit menu. Photoshop has several copy and paste commands: Copy takes the selected area on the active layer and puts it on the clipboard. Copy Merged creates a merged copy of all the visible layers in the selected area.

Paste inserts the clipboard contents at the center of the image. If you paste into another image, the pasted content becomes a new layer. Paste Into pastes clipboard content inside the active selection in the same or a different image. The source selection is pasted onto a new layer, and the area outside the selection is converted into a layer mask. Paste Outside is the same as Paste Into except that Photoshop pastes the content outside the active selection and converts the area inside the selection to a layer mask.

If two documents have different pixel dimensions, the content you paste between them may appear to change size. This is because the content maintains its pixel dimensions as it is pasted into a document with different pixel dimensions. You can use either the Crop tool or the Crop command to crop an image. Select the Crop tool , or press C to switch from the current tool to the Crop tool.

Photoshop displays a crop boundary around the entire image. Then confirm that Delete Cropped Pixels is selected. When Ratio is selected but no ratio values are specified, you can crop the image with any proportions. Drag the crop handles so that the shadowbox is in the highlighted area, omitting the backgrounds from the original objects at the bottom of the image. The shadowbox is complete! What is tolerance, and how does it affect a selection?

To subtract from a selection, click the Subtract From Selection button in the options bar, and then click the area you want to subtract. The Tolerance value determines how many color tones the Magic Wand tool will select. The higher the tolerance setting, the more tones are selected. Each layer can then be edited as discrete artwork, giving you tremendous flexibility as you compose and revise an image. Create, view, hide, and select layers. Rearrange layers to change the stacking order of artwork.

Apply blending modes to layers. Resize and rotate layers. Apply a gradient to a layer. Apply a filter to a layer. Add text and layer effects to a layer. Add an adjustment layer. Save a copy of the file with the layers flattened. This lesson will take less than an hour to complete. New files are generally created with a background layer, which contains a color or an image that shows through the transparent areas of subsequent layers.

All new layers in an image are transparent until you add text or artwork. Working with layers is analogous to placing portions of a drawing on clear sheets of film, such as those viewed with an overhead projector: Individual sheets may be edited, repositioned, and deleted without affecting the other sheets.

When the sheets are stacked, the entire composition is visible. When prompted, click Yes to delete the Adobe Photoshop Settings file. Study the 04End.

This layered composite represents a postcard. You will create it in this lesson as you learn how to create, edit, and manage layers. Saving another version of the start file frees you to make changes without worrying about overwriting the original. You can use the Layers panel to hide, view, reposition, delete, rename, and merge layers. The layer thumbnails are automatically updated as you edit the layers. The Layers panel lists five layers for the 04Working. Tip Use the context menu to hide or resize the layer thumbnail.

Notice the layer thumbnail and the icons shown for the Background layer: 1. The lock icon indicates that the layer is protected. The eye icon indicates that the layer is visible in the image window. If you click the eye, the image window no longer displays that layer. The first task for this project is to add a photo of the beach to the postcard. The Layers panel changes to display the layer information for the active Beach.

Notice that only one layer appears in the Beach. An image can have only one background layer. You cannot change the stacking order of a background layer, its blending mode, or its opacity. You can, however, convert a background layer to a regular layer. To convert a background layer into a regular layer: 1. Click the lock icon next to the layer name.

The layer name changes to a numbered default layer name. Rename the layer. To convert a regular layer into a background layer: 1. Select a layer in the Layers panel. Renaming and copying a layer To add content to an image and simultaneously create a new layer for it, drag an object or layer from one file into the image window of another file.

Whether you drag from the image window of the original file or from its Layers panel, only the active layer is reproduced in the destination file. Before you begin, make sure that both the 04Working. Keep the layer selected. Photoshop displays both of the open image files. Select the Beach. Select the Move tool , and use it to drag the Beach. Tip If you hold down Shift as you drag an image from one file into another, the dragged image automatically centers itself in the target image window.

The Beach layer now appears in the 04Working. Tip Need images for a project like this one? Close the Beach. The 04Working. Some of the layers are visible and some are hidden. The eye icon next to a layer thumbnail in the Layers panel indicates that the layer is visible. Click the eye icon pineapple. Select the Beach layer. To select the layer, click the layer name in the Layers panel.

The layer is highlighted, indicating that it is active. Changes you make in the image window affect the active layer. To make the opaque areas on this layer more obvious, hide all layers except the Beach layer: Press Alt Windows or Option Mac as you click the eye icon to the Beach layer.

Often, updates are made to provide greater clarity or to comply with changes in regulatory requirements. If the updates involve material changes to the collection, protection, use or disclosure of Personal Information, Pearson will provide notice of the change through a conspicuous notice on this site or other appropriate way.

Continued use of the site after the effective date of a posted revision evidences acceptance. Please contact us if you have questions or concerns about the Privacy Notice or any objection to any revisions.

All rights reserved. Join Sign In. View Larger Image. Part of the Classroom in a Book series. Description Sample Content Updates. Submit Errata. Overview Pearson Education, Inc.

Collection and Use of Information To conduct business and deliver products and services, Pearson collects and uses personal information in several ways in connection with this site, including: Questions and Inquiries For inquiries and questions, we collect the inquiry or question, together with name, contact details email address, phone number and mailing address and any other additional information voluntarily submitted to us through a Contact Us form or an email.

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Adobe photoshop cc classroom in a book (2019 release) pdf download free download

 
These styles are easy xdobe apply, and they link directly to the layer you specify. Select the Quick Selection tool in the Tools panel. Select the Flower2 layer in the Layers panel. If you like, you can use a smaller brush size to touch up the stones in the patched portion of the wall. Click the Commit button in the options bar to apply the current crop settings. When you reach a corner or straight part of the edge, press the Alt Windows or Option Mac key, and then release the mouse button so that the lasso pointer changes to the polygonal lasso shape. Zoom out, if necessary, to see the full sky.